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Platomania (12/04/02) about Suikerspin: Good news for the fans, because some material was not available anymore. And good news too for all that dont know Melys, because Suikerspin is the perfect introduction to Melys. Melys makes pure pop with dance-influences, sometimes a bit Garbage, then again a bit Sundays. Everybody should taste this Suikerspin. Belgian pop magazine Gonzo Circus about Suikerspin: "On Suikerspin you can admire Melys in all its aspects. Melys plays pop like pop is meant to be: with wave-, dance, and shoegazer-influences and screaming guitars, pumping bass-guitars, bubbling electronics and catchy vocals by Andrea Parker. The foursome knows how to amaze, stir up, seduce and thrill. Take a Suikerspin and enjoy it carefully but fully again and again." Q-magazine (May 2002)
about Melys, Suikerspin: "Singles collection from Welsh Peel
favourites. Regional daily paper De Gelderlander about Suikerspin: "Indie-discjockey John Peel-whos taste for new talent is undisputed-has had Melys in his program already for some six times and who gets to hear Suikerspin knows why. Melys makes beautiful trippy Britpop with in places a fat wink towards new wave. The beautiful tenuous voice of Andrea Parker does the rest." RECORD
COLLECTOR. (APRIL 02) about MELYS-SUIKERSPIN cd (Dutch Import):
"An 11 track entrée into the world of
another wonderful Welsh indie pop outfit fronted by a delectable singer,
in this case Andrea Parker. As well as totting
up six Peel sessions to date, the band have produced a fine array of
EP’s and singles, of which this is a tasty late 90’s onwards selection. Here and there, Ms Parkers
melliflouos tones are akin to a mix of Clare Grogan, Cerys and Lindi
Layton, and porn Myself could indeed be 1983 Altered Images, but for the
splendidly imaginative backing presented by the boys. “Chinese
Whispers” showcases the bands mix of instrumentation and programming,
ranging from marimba, harpsichord and xylophone tones to bubbling synths,
all propping up an intimate vocal. “Baby
Tornado” takes things a step further, sounding like a disco Manics
mixing it with the Super Furries in trip-mode. Other
highlights include the Republica-riffed “I don’t believe in you”, a
Pulp-singing-Welsh “Un darllenwr Lwcus”(One Lucky Reader) and the
pulsing, blip-laden “Cuckoo” (While “Puppet” even veers into Kraut
soundscapism) If you haven’t sampled Betws-y-Coeds
finest, make a stop and swallow whole." RED BRICK (University of Birmingham) about MELYS-SUIKERSPIN cd: "This is a greatest hits of sorts, packaging all of Melys’ most recent singles. Unlike most “Best of’ albums, this is quality from start to finish. Melys defiantly write pop songs, but pop songs with very sharp edges. On Baby Tornado, singer Andrea Parker sneers “..Run little pig before you’re found/coz I am the wolf who’s gonna blow your house down” with all the venom of Vinnie Jones slamming someones head into the door of a moving car. Yet for all their bile, Melys never stray into pretension or awkwardness – It’s quite easy to picture Simon Cowell and his fellow besuited ninnies deciding to foist one of these eleven on dear old Will. However, one suspects that if he did, he’d have four very angry Welsh people to deal with, and judging by this album, you wouldn’t want to fuck with them." Free popmagazine LiveXS about the Melys London Calling gig: "Melys, from Wales, has a knowledge of melody. Singer Andrea and the whacking hooligan look-a-like bassplayer form the centre of the band. They have brought in a huge following from Wales, mainly consisting of pissed and shouting football-supporters. Melys appears to be a slightly vulgar and common little sister of Blondie, Bis or even Catatonia. Their live-set differs in nothing from their album Suikerspin, but their enormous energy and their on the spot easy to sing-a-long songs merely make the band a true relief." Hollands main pop/rock magazine OOR about Suikerspin: "Melys seizes me with a warm feeling. That they are still made, those lovely sweet records. The cd, a compilation of the best of five years Melys, shows abundantly not too obtrusive dance-rhythms, sharp guitars, analogue synthesiserbleebs, heavenly melodies and innocent, often fragile vocals from the girly Andrea Parker. Some compositions wouldnt sound out of context on Garbages last cd, although they secretly have as much depth." Daily paper Parool about their London Calling festival gig in Paradiso, Amsterdam (March 16): "Melys from Wales moved the place (which rarely happened this weekend) with their bittersweet electro-pop. Mainly because of their cute/stout female singer. Such a relief between all those men-bands, that only because of that Melys was a modest London-Calling hit." Daily paper NRC-Handelsblad about their London Calling festival gig: "Melys from Wales stole the show with an irresistible Blondie-feel singer Andrea Parker added to their bittersweet guitar- and synthesiser pop. Melys understands that the secret of good popmusic starts with strong songsl." VPRO-internet site (the broadcasting system that covered the London Calling festival in Paradiso, Amsterdam, March 15/16 2002) about the Melys gig: "Music: self-willed pop with electronics from Wales. Plus: strong songs with a twist, that sound fresh because of the use of samples and digital soundeffects and are incomparable with anything else. The brilliant stage-mentality and fresh vocals of Andrea Parker-one of the few upfront women during this London Calling edition-work contagious. The hall gets excited and the front rows go wild during Disco Pig.Minus: In fact the show is too short: More please! Remarkable: Two songs are in Welsh of which you dont understand a word. But that hasnt hold us back neither from Super Furry Animals. And yes, the corpulent guy with the hammer (bass player) in the steaming closer Disco Pig makes the feast complete. Conclusion: Sweat drips from the walls in the protruding Paradiso upstairs hall. The sound is crystal-clear, the songs ok, the beer went down abundantly and Melys wins many Dutch souls." Daily paper NRC Handelsblad about Suikerspin: "This cd is beyond the alternative sector because of eleven melodic songs of which two are sung in Welsh. They sound unintelligibly beautiful and make suspect a same kind of angle as in Porn myself, in which Parker in an angel-like voice proclaims that Melys wont let themselves be prostituted by the music-industry. For the upcoming London Calling festival Melys belongs to the golden tips." "Positively stalwarts on the slightly manic Welsh scene, they were a bundle of angsty pop joys, heartily unafraid (and unashamed) to blend indecently tuneful guitar workouts with crunching electro rhythms. Was it hard? Have you ever seen a Sarah Cracknell soundalikie headbanging onstage?? Exactly." (Playlouder) The Guardian of December 7, 2001 about Chinese whispers: A tender, glacial ballad that sounds like Dusty Springfield backed by St. Etienne. Lovely. The NME about Chinese whispers: "If the curmudgeonly scrooges of IPC management would agree to our demands for a regular Welsh Single Of The Week, this would take first class honours-no contest. But its not just regional tokenism to discern a dash of the old Cerys-from-Catatonia magic in Andrea Parkers lusty sighs, ripping away layers of sadness and euphoria in the giddy fairground swoops and crashing waterfall chorus of Chinese Whispers. Melys can drift into nondescript MOR trip-pop at times, as on Gwerthfawr, but for the most part they remain cruelly underrated oddballs on the fringes of British rock." "It's like having
all your birthdays come at once when a new Melys release drops through your letter box,
such is the mix of trepidation and excitement, yes I know I agree I do need to get out
more. If we had a single of the fortnight this would probably be it, so lets go for
honorary single. When are you going to learn that even a record featuring the band
coughing would wipe the floor with the infant pop that masquerades as music on daytime
radio. Three tracks make up this split label adventure between Melys' own Sylem and Dutch
label Transformed Dreams whom you'll remember a while back released the excellent
Seedlings to an unexpected world. Okay a running order that offers a bitter sweet bruiser
without the usual trademark showing of teeth, a slowey and a welsh language track thrown
in for good measure. 'Chinese Whispers' is indignant in the way it takes you from one
emotional extreme to the other and back again without giving a mind to let you pause to
regain your senses. A glistening story telling smasher, Andrea's finger wagging fury
directed at nosey neighbours, if there was such a thing as pristine pop, this without
doubt is it, or is it. Scarcely time to draw breathe and the blighters hit you with
'Watercolour', not wishing to over exaggerate the point but this is as sensual as a record
can get without having a censorship sticker emblazoned on its sleeve, carefully
choreographed chords map a clockwork like trajectory upholding a lullaby effect. As sexy
as prime time Altered Images with dare I say it the kind of chic pop that the Human League
would die for. The darkly winter like melancholic vibes of 'Gwerthfawr' wrap up this
latest step up the ladder to world domination. An album 'Dirty' in the
offing, maybe at
long last Melys' star is in full shining view."(losingtoday.com on chinese whispers)
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